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Powered by Benchmark The Hollowing of the Khalsa: How missionary ‘inculturation’ is subverting Sikh symbols to erase Punjab’s identity - Matribhumi Samachar English
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The Hollowing of the Khalsa: How missionary ‘inculturation’ is subverting Sikh symbols to erase Punjab’s identity

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From the streets of Jalandhar to the Sikh diaspora in Canada, the sacred Dastaar (turban), the spirit of Bhangra, and the concept of Seva are increasingly being integrated into Christmas-themed activities. For many observers, this is not a sign of organic interfaith harmony but a strategic “inculturation” tactic used by missionary networks to dilute the distinct martial and spiritual identity of the Khalsa, making foreign theological concepts appear culturally familiar to the local population.

Between 2016 and 2025, a concerning trend has emerged where the sanctity of Sikh symbols and the identity of the community are being subtly encroached upon by aggressive Christian missionary activities during the Christmas season. Right-wing observers point to numerous incidents in Punjab and the diaspora where the Khanda, Gurbani verses, and even the traditional Sikh turban have been appropriated for “Christian Shobha Yatras” and church events. These activities are viewed not as genuine interfaith harmony, but as a strategic “inculturation” tactic designed to mislead innocent rural Sikhs by dressing Christian theology in familiar Sikh aesthetics. This period has seen a rise in “Sikh-looking” pastors and the use of Punjabi folk tunes for hymns, which critics argue is a calculated attempt to dilute the martial spirit of the Khalsa and expand evangelical influence under the guise of festive celebration.

This report outlines 10 specific incidents where Christian missionary activities have increasingly incorporated Sikh individuals, traditions, and religious symbols.

The Shadow of Santa over Shaheedi Week: A Cultural Crisis in Punjab

In a deeply unsettling visual from a major Punjab mall, a figure dressed as Santa Claus was seen surrounded by a large crowd of Sikh and Punjabi youth. What makes this incident alarming is its timing: the festivities occurred adjacent to a memorial dedicated to the Chaar Sahibzaade during the sacred Shaheedi Week. While the memorial of the supreme sacrifices of the Guru’s sons saw thinning crowds, the commercialised Western figure of Santa drew significant footfall. This reflects a growing concern that globalised Christian symbols are overshadowing the profound historical consciousness of the Khalsa.

The “Hallelujah” Turban: Visual Evidence of Deep-Rooted Infiltration

On the streets of Punjab, a video surfaced showing a turban-wearing Sikh man chanting “Hallelujah” slogans during a Christian procession. To many observers, this isn’t just a sign of “diversity” but a calculated victory for missionary propaganda. Seeing the turban – a symbol of sovereignty and the struggle against forced conversions – being used in an evangelical rally has sparked outrage among those who believe the martial identity of the Sikhs is being systematically hollowed out through psychological and theological manipulation.

Bhangra for Jesus: The Exploitation of Punjabi Folk Traditions

The vibrant spirit of the Punjab – Bhangra – is being increasingly co-opted for religious expansion. During a massive Christmas rally, several Sikh men were filmed performing traditional dances to Punjabi songs dedicated to Jesus. Critics argue that this is a classic “inculturation” tactic used by missionaries to make a foreign faith appear local. By mixing Christian messaging with the high energy of Punjabi music, evangelists are successfully targeting the youth, turning a warrior culture’s dance into a tool for religious conversion.

Prophet Bajinder’s Grand Rally: The Turban as a Missionary Prop

In Jalandhar, the “Grand Christmas Rally” organised by Prophet Bajinder Singh Ministries featured a significant presence of Sikhs. Footage from the event showed men in full Sikh attire dancing and celebrating during the missionary-led gathering. For right-wing commentators, this event highlights the immense financial and organisational power of neo-Christian ministries in Punjab. The visible participation of Sikhs in these rallies is seen as a direct challenge to the traditional religious fabric of the state.

“Jesus Chose Me”: The Globalisation of Missionary Tactics

In a testimonial that has raised eyebrows, a Sikh man returning from the United States participated in the Khambhran Church’s Christmas procession in Jalandhar, claiming that “Jesus had chosen him.” He described the missionary path as “heavenly,” a statement many see as the result of long-term grooming by international evangelical networks. This incident is viewed as a warning that the threat to traditional Indian roots is not just local, but a globalised effort to disconnect the Sikh diaspora from their ancestral heritage and the teachings of the Gurus.

Prophet Bajinder’s Harvest: The Turban as a Tool for Missionary Expansion

In Tajpur, Jalandhar, the “Grand Christmas Rally” led by the controversial self-styled “Prophet” Bajinder Singh showcased a disturbing visual of Sikh men participating in evangelical celebrations. Footage revealed turbaned men performing Gidda – a traditional Punjabi folk dance – to celebrate a Christian festival. For right-wing critics, this is not a symbol of “brotherhood,” but a calculated effort by missionary ministries to use Sikh aesthetics to normalise their presence in the heart of Punjab, effectively masking a foreign religious agenda behind local cultural fervor.

The Turbaned Santa: Diluting the Sovereign Identity of the Khalsa

In 2020, Mumbai witnessed a Sikh man, Surjitt Sahani, donning the Santa Claus costume while retaining his turban to distribute sweets in Andheri. While mainstream media portrayed this as a festive gesture, right-wing observers see it as a dangerous trend of “identitarian blurring.” By merging the turban – a sacred article of faith representing a warrior-saint – with a commercialised western mascot like Santa, the unique and sovereign identity of the Sikh is being reduced to a mere costume for festive entertainment, undermining the serious religious significance of the Dastaar.

“Santa Claus is a Sikh”: The Dangerous Revisionism of Sikh Traditions

A 2018 social media post by a Ludhiana travel creator, portraying his son as “Sikh Santa Claus,” has sparked debate over the misappropriation of Sikh concepts. The creator claimed that the principles of Langar and Seva essentially make every Sikh a “Santa Claus.” Right-wing commentators argue that this is a classic case of intellectual subversion; equating the profound, year-round spiritual duty of Seva (Selfless Service) with the seasonal, gift-giving myth of Santa Claus is a trivialization of Guru Nanak’s teachings. It attempts to fit the Sikh faith into a Western framework, stripping it of its independent martial and spiritual roots.

Exporting Appropriation: Bhangra-Dancing Santas in the Diaspora

The trend of cultural dilution is not restricted to India. In 2018, a viral video from Canada showed a Sikh man in a Santa suit performing Bhangra while distributing sweets. Critics view this as the globalisation of the “Missionary-Sikh” hybrid, where the diaspora is encouraged to trade their distinct heritage for a “multicultural” caricature. This performance is seen as a way to soften the image of Sikhism into a “happy-go-lucky” identity that fits easily within Western Christian celebrations, rather than standing firm as a distinct religious order.

The “Singh Doing Xmas” Remix: The Commercial Subversion of Bhangra

Dating back to 2016, videos like “Singh doing Xmas Punjabi” have surfaced on the Rangla Punjab YouTube channel, showing Sikh men performing Bhangra to Punjabi remixes of “Jingle Bells” played on the dhol and flute. While it may appear as innocent fun, right-wing thinkers warn of the “Slow Poison” effect. Using the instruments and energy of a warrior culture to celebrate a Christian holiday is viewed as the “Christianisation of Culture.” It signals a shift in which the younger generation is being taught to apply their traditional skills to serve foreign themes, leading to a long-term erosion of the Khalsa’s cultural resistance.

Credit : Organiser Weekly

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