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<\/p>\nSwiss animation filmmaker Georges Schwizgebel chaired a master class session titled “Georges Schwizgebel\u2019s Approach to Animation” at the 18th Mumbai International Film Festival (MIFF) today. The session, held on the sidelines of film screenings, showcased Schwizgebel\u2019s illustrious career and his unique techniques in animation.<\/p>\n
Schwizgebel, whose 2004 paint-on-glass animated film “The Man with No Shadow” (L’Homme sans ombre) has garnered international acclaim. He has been a prominent figure in the animation industry for over 50 years. During the interactive session, he expressed his enduring passion for filmmaking, stating, \u201cI like to draw and make films\u2026 I don\u2019t know what to do, but make a film.\u201d<\/p>\n
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Dhvani Desai, a reputed animation filmmaker, introduced Schwizgebel to the audience, highlighting the profound influence of various art movements and surrealism evident in his work.<\/p>\n
Speaking at the event, Schwizgebel shared insights into his creative process. He revealed that he continues to use acrylic painting for his frames, along with a digital camera, although he noted that modern animation artists have transitioned to different tools. \u201cIt is no longer useful to teach this technique,\u201d he remarked, acknowledging the evolution of animation techniques over the decades. He also mentioned his occasional use of dry pastels.<\/p>\n
Elaborating on his filmmaking approach, Schwizgebel explained that most of his films feature music rather than dialogues, emphasizing that animation can convey much through imagery alone. He discussed his method of using loops and cycles at 25 frames per second and the technique of changing backgrounds every 16 frames to create dynamic visual narratives. \u201cThe connection between music and imagery is very strong,\u201d he said, underscoring the integral role of music in his films.<\/p>\n
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In response to an audience question, Schwizgebel reflected on the changes in the animation industry since he began his career in the 1970s. He observed that there were more opportunities for animation shorts in the past but expressed his satisfaction that many filmmakers are now creating animation feature films.<\/p>\n
The master class provided a rare opportunity for participants to learn from one of the animation world\u2019s most respected figures, offering valuable insights into the art and craft of animation.<\/p>\n","protected":false},"excerpt":{"rendered":"
Swiss animation filmmaker Georges Schwizgebel chaired a master class session titled “Georges Schwizgebel\u2019s Approach to Animation” at the 18th Mumbai International Film Festival (MIFF) today. The session, held on the sidelines of film screenings, showcased Schwizgebel\u2019s illustrious career and his unique techniques in animation. Schwizgebel, whose 2004 paint-on-glass animated film “The Man with No Shadow” …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[151],"tags":[4755,4757,4756,4754],"class_list":["post-7931","post","type-post","status-publish","format-standard","","category-miscellaneous","tag-18th-miff","tag-animation-master-class","tag-georges-schwizgebel","tag-swiss-animation"],"yoast_head":"\n